Tuesday, February 2, 2016

Journal Three- Morgan DeWitt

Part one:
Okay first, my thoughts on Chapter 3 and 4 in Triggering Town. When I was reading chapter 3, Assumptions, I felt like I was reading into Richard Hugo's mind and thought process. I really enjoyed this and exploring all of the scenarios he described and imagining the poems that could come after them.
In chapter 4, I thought it was very interesting that most students would write the best poem of the term through the demanding exercise Roethke gave out as homework. Item 7, the poem must be meaningless, was hard to wrap my mind around. Hugo writes, "With item 7, it says: say nothing and just make music and you'll find plenty to say. Item 7 is an impossibility of course, but when the student finds out it is, one hopes he will have increased faith  in sound and the accidents of imagination." The accidents of imagination is amazing, putting together words that essentially mean nothing and then creating something beautiful.

My favorite section from  Creative Writing: Four Genres in Brief was "Images, symbols, and figurative language."  I thought this section was the most important because it demonstrates even further how important good language is. The difference between "the sky is blue" and the "sky is as blue as a fresh crayola crayon". The models and methods to creating images, symbols, and figurative language were very helpful.

Question: Is simplicity really the ultimate sophistication when directed to poetry? 

Part Two: 

Learning how to write poetry from a book only goes so far. A book can't give you your own voice and your own rhythm. The books can give advice and direction. They can teach you terms and how to properly use them.

When writing your own poems you find your voice and explore your own imagination. A book can't give you that.

I don't exactly have a set process for getting poems. They usually just hit me at the most random times in random places. My last one hit me while I was sitting in a coffee shop studying Earth Science. It had nothing to do with what was around me. I guess my process is just being patient and waiting for the inspiration to come along. There is a struggle when the inspiration never comes, I'm usually just lost when this happens and my poems end up sounding like crap. Patience is key. 

5 comments:

  1. I loved the writing exercise from chapter 4 as well! I actually made a note of it in my book in case I ever got stuck and wanted to try something like that in order to help me out. It's amazing what someone's imagination will bring forth when they are least expecting it. :)

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  2. My favorite section from Four Genres in Brief was also, "Images, symbols, and figurative language." I think it's really important as a poet to paint images in your poem that you right. I think it creates a better understanding and also creates a better poem itself. I think it's also important because it lets the reader has a sense of imagination also, which is really important when it comes to poetry.

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  3. I agree that when you are writing you find more a voice. I think that is one of the rewards of writing sometimes. I think that words have a huge impact on a lot of things. I think that using imagination is great and sometimes it can make things so much better.

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  4. I agree that when you are writing you find more a voice. I think that is one of the rewards of writing sometimes. I think that words have a huge impact on a lot of things. I think that using imagination is great and sometimes it can make things so much better.

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  5. I dont have a a specific process for writing poems either.

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